alibi_shop: Mr. Punch, Broadstairs, England (Default)
It may not exactly be news when The New Republic publishes some hideous bigoted bullshit, but I have to say I was a little surprised that they pulled Dale Peck from the back bench of bitter hatchet-job artists to write a piece about how Pete Buttigieg is the wrong kind of gay (which they've since removed from their site after nearly everyone said "WTF"). This really takes me back.
Read more... )
alibi_shop: Mr. Punch, Broadstairs, England (Default)
Very sad news that Leslie Sternbergh Alexander, a great cartoonist, died the other day. She wasn't yet 60. Her work and her career were complicated and hard to describe, everything from scabrous underground raunch-fests to sensitive true-life character dialogues to (I only just now found this out) Mad Magazine humor illustrations. Originally from somewhere around my hometown (I think, based on her Three Mile Island story), she became a fixture in Lower East Side NYC, one of those people who seem to have been there literally forever.

Even though she was probably the first cartoonist I ever met (I had seen her author portraits in a Skipp & Spector horror novel), and she and Adam Alexander were friendly and interesting, and my best friend at the time had met them (he had moved to New York before me and told me about these hippie artists who had offered him LSD), and they lived like three blocks away and clearly had all the knowledge of the city that I lacked... I was too shy and never got to know her. And that pretty much describes most of my 13-year experience in New York. Don't stay away from people, you never know how long they'll be around.
alibi_shop: Mr. Punch, Broadstairs, England (Default)
In a few decades (if we still have genre entertainment) the idea of characters stuck in a time loop will be either completely forgotten, or one of those strangely long-lived subgenres that most people aren't familiar with the origin of, like "zombie apocalypse" or "people flying around inside giant robots." I've seen it done half a dozen times and you basically always get the same story beats, where the person accumulates a lot of information about people and has to repeat a series of actions to get toward whatever the goal is and make it all stop. Usually, unlike the original version in Groundhog Day where the limit is the end of the day or death, they just go with it being death (which kind of parallels how the zombie idea evolved from Romero: he had every dead person coming back and also it's contagious, but now it's usually just that it's contagious). And usually, unlike Groundhog Day, there's some attempt to explain why this is happening other than "because you're a jerk and it's funny." And usually I just don't see the point, except for Edge of Tomorrow which is great.

Anyway, Russian Doll deceptively looks at first like just another one of these things. Read more... )

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