alibi_shop: Mr. Punch, Broadstairs, England (Default)
Although I myself was a Dungeons-and-Dragons-playing tween in 1984, I'm not sure if that means I'm the target audience for this, or if the kind of nostalgia it offers is aimed more at people who just know the '80s from movies. That part of it isn't super interesting to me; it's a candy-colored suburban version of the era that might be accurate for some people but it wasn't the world I grew up in, and I never had a gang of best friends or a middle-school crush, so stories about those things are abstract for me unless the character writing and dialogue are great... which I don't think they are here. But I'm a sucker for monsters and mad scientists and ESP, and this show manages to rehash a lot of familiar takes on those things in a way that may not exactly be fresh and new, but does feel like what a lot of '80s movies and paperback thrillers might have aspired to be if they'd had better special effects and permission to really take their time. The tone is odd: not always light (a lot of dark gruesome stuff does happen), just always sort of friendly—which is different from my usual taste in SF/horror, but they do it with great conviction and it usually works.
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alibi_shop: Mr. Punch, Broadstairs, England (Default)
First off, no, it's not the Shirley Jackson novel; Netflix wanted Mike Flanagan to adapt it, he decided it wouldn't work at series length, so he wrote this other thing with the same title. It contains various homages to the book which mostly don't work well at all, so if you've read it then this can be distracting—especially at the very end, which has one of the least successful repurposings of a familiar line that I've ever heard. But for me, "the ending ruined it" has never been a thing that really happens, at least not when the rest of it is as good as this.
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alibi_shop: Mr. Punch, Broadstairs, England (Default)
I wanted to see this show because Kiernan Shipka is in it; more about that later. The basic setup comes from the recent Archie Comics thing, which was a scarier version of the long-running Sabrina the Teenage Witch and its many spin-offs (I haven't read or seen any of them), so this isn't exactly a case of trying to come up with a new take on a supernatural youth series.

Still, there are a few things that set it apart from Buffy, Charmed, etc. Read more... )
alibi_shop: Mr. Punch, Broadstairs, England (Default)
Vanishing on 7th Street (2010), directed by Brad Anderson, written by Anthony Jaswinski

Vanishing on 7th Street was not a successful horror movie by most people's standards, and it's easy to see why: there's very little plot and virtually no humor, the dialogue is often pretty bad, the characters are unmemorable to an unusual degree, and the force they're fighting against is barely visible and has no identity. I don't think those are entirely weaknesses, but they also don't have much to do with why this movie scares me.
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